Tuesday 31 May 2011

Beastie Boys - The In Sound from Way Out! (1996)



The Beastie Boys have frequently proven that they feel comfortable in a variety of genres. The New York-based trio started off as a punk band in 1979 but some time around the mid-1980s they turned towards hip-hop and since then have sold over 40 million albums worldwide to much critical acclaim. However, their records have never been solely hip-hop flavoured. The group incorporated a variety of sounds in their albums, mixing fast-paced rock tunes with laid-back, funky grooves in between sample-heavy hip-hop joints. What glued it all together were the razor-sharp lyrics of Mike D, MCA and Ad-Rock and their trademark rap style. At times, however, the guys would abandon their mic's and jam out funk-filled instrumental tunes that would later work as interludes in their albums.

By 1996, the Boys, inspired by their French fan club which came up with the idea, decided to make a compilation album with the instrumentals from their previous records. And so, 'The In Sound from Way Out!' (which btw borrows the title and the cover art concept from the 1966 Perrey and Kingsley album) was released. The disc features 13 tracks, all of which have already previously appeared on: 'Check Your Head', 'Ill Communication' and the 'Jimmy James' and 'Sure Shot' singles.

Fair do's - there's no new material on the record, but it still is a pleasant listen. The album features a bunch of loose funk grooves with rhythmical wah-wah guitars, warm Hammond licks and laid-back, conga-heavy percussions, all neatly wrapped up in a jazzy vibe. But that's not all. With tunes like 'Eugene's Lament' and it's distinctive violin solo or 'Shambala' with the Tibetan monk chants in the background, the Beastie Boys give us a little taste of the Orient thereby keeping the album material fresh and interesting.

At any rate, this album will definitely not provide any big surprises if you know your Beastie's. But if you enjoyed bopping your head to their lazy funk joints on their previous records, then I really do believe it's an album worth having.




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