Sylvester - Over and Over (1977)

Long time no see, eh? Well, I'm back and full of new goodies to love and share.

To start off the new year with a bang, I got a tune that will definitely fit in with the festive NYE vibes that are still probably echoing somewhere in your heads. I'm talking about Sylvester's 'Over and Over'.

This fantastic upbeat disco joint comes from his/hers 1977 Fantasy Records debut album entitled: - surprise, surprise - 'Sylvester'. The song was originally composed by Ashford & Simpson, who gave it a more subtle touch with a lower tempo and a sweeter, ballad-ish feeling. Don't get me wrong, theirs is still a hell of a tune. But Sylvester's version...well, it just has that juice, that mojo!

Right, you might be wondering why the hell did I refer to Sylvester in both male and female terms. Well, did you ever see the guy...erm, woman? To keep things short, he was a gay singer and drag performer. His looks might seem confusing today, but back in the day Sylvester James blended seamlessly with the black and gay community that ran the disco scene. Nuff said.

'Over and Over', which was his first single, is a really joyful, upbeat, hands-in-the-air type of tune.  It's got a killer bassline, that's really the driving force of the song. Apart from that you get you're usual funky rhythm guitar, bunch of horns here and there and some strings to fortify the melody.

But there's really something special about this tune, something that makes it rather laid-back and so...sophisticatedly cool. It could be the instrumentation that leaves quite a lot of 'air' in the song making it different to your average in-your-face disco joints. It could be Sylvesters hazy, loose, nearly reluctant style of singing (try to distinguish the lyrics - you'll know what I mean). Or it could be the screams and shouts of the background singers (btw. 'Two Tons O'Fun' is the name of the duo of these rather hefty African-American singers that do the backing vocals on Sylvesters albums. Never heard of them? Well, it's the same girls that gave us the hit 'It's Raining Men')...all in all, put all these elements together, add a nice guitar solo in the middle (Tip Wirrick, who later wrote most of Sylvesters songs) and you got yourself a hit!

Also, if you're up for a more up-to-date rendition of the song, try John Julius Knight's 'Find a Friend' on Soulfuric Trax. It's a top, top house tune with a bunch of 'Over and Over' samples.

Last but not least, here's a little trivia for you. Sylvester was discovered by Harvey Fuqua who just departed from Motown and became a scout for Fantasy Records. Fuqua later became the producer of Sylvesters albums. Remember the guy? That's the same Fuqua who sang duets with Etta James and then broke her heart...or the other way round. (Here's Etta on Platinum Grooves)

(There might be better quality versions of the song on YouTube but this is one is really awesome in that it shows clips of the legendary Paradise Garage. See for yourself!)

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Etta James - At Last! (1961)

Etta James' debut album - 'At Last!' - is really a hell of a record. Released in 1961 on Chess' jazz sub-label: Argo (later renamed Cadet Records), with the visionary brother duo of Phil and Leonard responsible for the production and orchestral arrangements, the album gives us a neat overview of Etta's musical sensitivity.

James, simply put, is really a great, all-round singer. 'At Last!' proves she feels just as comfortable doing jazz standards (like 'Stormy Weather' or 'A Sunday Kind of Love') as ripping the hell out of blues tunes ('Tough Mary' and Willie Dixon's 'I Just Want to Make Love to You'). And that's really the power of this album. Etta seamlessly moves from smooth, romantic phrasing to powerful, energetic blues 'shouting' with plenty of r&b and gospel infused singing in between.

Want an example? Well then check out: 'All I Could Was Cry', which was written for Etta by the 'head songwriter' at Chess - Billy Davis with the Gordy siblings - Berry and Gwen. History has it that the song was inspired by Etta's ordeal with her ex-boyfriend Harvey Fuqua (more on that gentleman, later), who, at the time of the recording of the song, was dating Billy Davis' ex-girlfriend - Gwen Gordy - and was just about to marry her. How's that for a love story, eh? The script writers from 'The Bold and The Beautiful' couldn't have come up with a more confusing arrangement. Nevertheless, Etta simply sounds true and authentic in this song, going from a dreamy, delicate singing voice in the beginning to a powerful, wall-trembling holler in the chorus.

The title track, on the other hand, shows a rather well-tempered Etta as she gives a fantastic rendition of this classic song, first recorded by Glenn Miller and his orchestra. James did a great job here, managing to retain the same vibe as the original tune but still giving it her own twist - an accomplishment that's really hard when it comes to cover songs.

Fair play, the tune is good. However, I find just as predictable as it is good. What really got my attention is the four bonus tracks you get if you decide to go for the 1999 CD reissue on Chess/MCA. These tracks feature Etta singing in a duet with her ex-boyfriend: Harvey Fuqua. That's where the magic starts. Try their version of Willie Dixon's classic: 'Spoonful'. A cheeky bassline, roaring horns and Etta's sexy blues cry. Bang!

With a completely different vibe comes: 'My Heart Cries', which is probably my favourite song from the album. Here, both Harvey and Etta keep on singing this beautiful melody over a constant 6-note guitar lick and some horns and a piano in the background. By joining their two voices, they manage to create a very vivid and colourful harmony which really got me hooked and perfectly suits this little love song. Spot on!

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